A Visit From The Goon Squad [suggested by Frances de Navarro]
Jennifer Egan’s spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa. We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her longstanding compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We meet Bennie Salazar at the melancholy nadir of his adult life — divorced, struggling to connect with his nine-year-old son, listening to a washed up band in the basement of a suburban house — and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang — who thrived and who faltered — and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far flung sexual conquests and meteoric rise and fall. A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to Powerpoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both — and escape the merciless progress of time — in the transporting realms of art and music. [Product description from Amazon]
The book has a Wikipedia page.
Author’s Wikipedia page.
Author’s website.
Shortlisted for this month
The book selector for the month can choose up to three books for nomination. This month Frances’ other choices were:
Half of a Yellow Sun
In 1960s Nigeria, Ugwu, a boy from a poor village, goes to work for Odenigbo, a radical university professor. Soon they are joined by Olanna, a young woman who has abandoned a life of privilege to live with her charismatic lover. Into their world comes Richard, an English writer, who has fallen for Olanna’s sharp-tongued sister Kainene. But when the shocking horror of civil war engulfs the nation, their loves and loyalties are severely tested, while their lives pull apart and collide once again in ways none of them could have imagined… [product description from Amazon]
The book has a Wikipedia page, and was made into a film in 2013 (see also IMDb).
Author’s Wikipedia page.
Author’s website.
White Teeth
Epic in scale and intimate in approach, White Teeth is an ambitious novel. Genetics, eugenics, gender, race, class and history are the book’s themes but Zadie Smith is gifted with the wit and inventiveness to make these weighty ideas seem effortlessly light.
The story travels through Jamaica, Turkey, Bangladesh and India but ends up in a scrubby North London borough, home of the book’s two unlikely heroes: prevaricating Archie Jones and intemperate Samad Iqbal. They met in the Second World War, as part of a “Buggered Battalion” and have been best friends ever since. Archie marries beautiful, buck-toothed Clara, who’s on the run from her Jehovah’s Witness mother, and they have a daughter, Irie. Samad marries stroppy Alsana and they have twin sons: “Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks.”
Big questions demand boldly drawn characters. Zadie Smith’s aren’t heroic, just real: warm, funny, misguided and entirely familiar; reading their conversations is like eavesdropping. A simple scene, Alsana and Clara chatting about their pregnancies in the park: “A woman has to have the private things – a husband needn’t be involved in body business, in a lady’s … parts.”
Samad’s rant about his sons – “They have both lost their way. Strayed so far from what I had intended for them. No doubt they will both marry white women called Sheila and put me in an early grave – acutely displays “the immigrant fears – dissolution, disappearance” but it also gets to the very heart of Samad.
White Teeth is a joy to read. It teems with life and exuberance and has enough cleverness and irreverent seriousness to give it bite. [Review by Eithne Farry on Amazon]
The book has its own Wikipedia page.
About the Author
Novelist Zadie Smith was born in North London in 1975 to an English father and a Jamaican mother. She read English at Cambridge, graduating in 1997.
Her acclaimed first novel, White Teeth (2000), is a vibrant portrait of contemporary multicultural London, told through the story of three ethnically diverse families. The book won a number of awards and prizes, including the Guardian First Book Award, the Whitbread First Novel Award, and the Commonwealth Writers Prize (Overall Winner, Best First Book). It also won two EMMA (BT Ethnic and Multicultural Media Awards) for Best Book/Novel and Best Female Media Newcomer, and was shortlisted for the Mail on Sunday/John Llewellyn Rhys Prize, the Orange Prize for Fiction and the Author’s Club First Novel Award. White Teeth has been translated into over twenty languages and was adapted for Channel 4 television for broadcast in autumn 2002. Her tenure as Writer in Residence at the Institute of Contemporary Arts resulted in the publication of an anthology of erotic stories entitled Piece of Flesh (2001). More recently, she has written the introduction for The Burned Children of America (2003), a collection of eighteen short stories by a new generation of young American writers.
Zadie Smith’s second novel, The Autograph Man (2002), a story of loss, obsession and the nature of celebrity, won the 2003 Jewish Quarterly Literary Prize for Fiction. In 2003 she was nominated by Granta magazine as one of 20 ‘Best of Young British Novelists’.
Her third novel, On Beauty, was published in 2005, and won the 2006 Orange Prize for Fiction. She has also written a non-fiction book about writing – Fail Better (2006).
Zadie Smith is currently a Radcliffe Fellow at Harvard University.
The above taken from Contemporary Writers.com, Smith also has an entry on Wikipedia.